{"id":168,"date":"2016-10-16T18:02:58","date_gmt":"2016-10-16T16:02:58","guid":{"rendered":"http:\/\/momo.theatersubtitles.com\/?page_id=168"},"modified":"2016-10-23T05:01:40","modified_gmt":"2016-10-23T03:01:40","slug":"rozhovor-pre-culture-attack-07-2016","status":"publish","type":"page","link":"https:\/\/www.odivo.sk\/en\/rozhovor-pre-culture-attack-07-2016\/","title":{"rendered":"Rozhovor pre Culture Attack 07-2016"},"content":{"rendered":"<p><strong>Pr\u00edchodom do B\u00e1toviec sa n\u00e1m pre\u010distili hlavy<\/strong><\/p>\n<p><strong>Na jednom z reziden\u010dn\u00fdch pobytov po\u010das j\u00fala v Divadle P\u00f4to\u0148 pracovalo umeleck\u00e9 zoskupenie Odivo. Ich prezent\u00e1cia inscen\u00e1cie v \u0161t\u00e1diu work in progress bola nabit\u00e1 emo\u010dne vyp\u00e4t\u00fdmi a z\u00e1rove\u0148 poetick\u00fdmi v\u00fdtvarn\u00fdmi obrazmi, dr\u00e1saj\u00facou divokou hudbou na bic\u00edch a fyzickou expresivitou. To v\u0161etko s\u00fa predpoklady \u00faspe\u0161nej inscen\u00e1cie. Rozhovor s dvomi talentovan\u00fdmi divadeln\u00ed\u010dkami vznikal prostredn\u00edctvom izolovanej e-mailovej komunik\u00e1cie, tak\u017ee respondentky nevedeli o odpovediach svojej kolegyne. Pos\u00fa\u010fte sami, ak\u00fd zohrat\u00fd tandem tvoria.<\/strong><\/p>\n<p><strong>Odivo je zoskupenie, ktor\u00e9 vzniklo pomerne ned\u00e1vno, napriek tomu je o jeho tvorbu ve\u013ek\u00fd z\u00e1ujem na festivaloch doma i v zahrani\u010d\u00ed. Tak n\u00e1m Odivo, pros\u00edm, predstavte.<\/strong><br \/>\n<strong>Monika Kov\u00e1\u010dov\u00e1 (\u010falej MK):\u00a0<\/strong>Odivo sme zakladali traja &#8211; mana\u017e\u00e9rka Adri\u00e1na Cie\u015blakov\u00e1, dramaturg Marek Turo\u0161\u00edk a ja. Zoskupenie pre\u0161lo a prech\u00e1dza mnoh\u00fdmi zmenami &#8211; pod jeho hlavi\u010dkou v s\u00fa\u010dasnosti tvor\u00edme my dve s Majou a priz\u00fdvame si k n\u00e1m rovnako naladen\u00fdch nez\u00e1visl\u00fdch tvorcov a tvorkyne. Od za\u010diatku &#8211; a za t\u00fdm si stoj\u00edm aj doposia\u013e &#8211; som Odivo vn\u00edmala ako ostrov slobody, v r\u00e1mci ktor\u00e9ho m\u00f4\u017eeme a m\u00e1me robi\u0165 len to, \u010do naozaj chceme. Bez vn\u00fatorn\u00fdch kompromisov.<br \/>\nA n\u00e1zov? Priniesol ho dramaturg Marek Turo\u0161\u00edk. Ide o slovansk\u00fd v\u00fdraz, ktor\u00fd v preklade znamen\u00e1 divadlo. A ukr\u00fdva v sebe d\u00edvanie sa, div, \u00fadiv a mno\u017estvo \u010fal\u0161\u00edch asoci\u00e1ci\u00ed, ktor\u00e9 by sme chceli s na\u0161ou tvorbou sp\u00e1ja\u0165. \u00a0<strong><br \/>\nM\u00e1ria Danadov\u00e1 (\u010falej MD):<\/strong> Postupom \u010dasu sa Odivo vyprofilovalo ako spolupr\u00e1ca re\u017eis\u00e9rky Moniky Kov\u00e1\u010dovej a\u00a0m\u0148a ako performerky, pri\u010dom si navz\u00e1jom \u201elezieme do kapusty\u201c a ka\u017ed\u00e1 z\u00a0n\u00e1s zasahuje do projektu \u201ena plnej \u010diare\u201c. Teda konzultujeme a\u00a0tvor\u00edme spolu nov\u00e9 inscen\u00e1cie, \u010do v praxi znamen\u00e1 pod\u00e1vanie grantov, h\u013eadanie n\u00e1metov, p\u00edsanie textov, vytv\u00e1ranie re\u017eijno-dramaturgick\u00fdch konceptov a, samozrejme, stavanie a\u00a0rozkladanie sc\u00e9ny.<br \/>\nK spolupr\u00e1ci priz\u00fdvame na\u0161ich \u0161ikovn\u00fdch priate\u013eov \u2013 hudobn\u00edkov, sc\u00e9nografov, lightdizajn\u00e9rov, hercov a\u00a0in\u00fdch. A o n\u00e1zve ur\u010dite povie\u00a0Monika.<\/p>\n<p><strong>V B\u00e1tovciach ste pr\u00e1ve ukon\u010dili reziden\u010dn\u00fd pobyt, na ktorom ste pracovali na novej inscen\u00e1cii s pracovn\u00fdm n\u00e1zvom Pam\u00e4\u0165ov\u00e9 stopy. Malo sk\u00fa\u0161anie v B\u00e1tovciach nejak\u00e9 \u0161pecifik\u00e1? Ako ste vn\u00edmali prostredie vidieka?<br \/>\nMK:<\/strong>\u00a0Ve\u013emi oslobodzuj\u00faco. A malo v\u0161etky atrib\u00fady vidieckej romantiky &#8211; prech\u00e1dzky do potrav\u00edn popri potoku, hl\u00e1senia v miestnom rozhlase, ra\u0148ajky v tr\u00e1ve\u2026 Najviac mi v\u0161ak imponoval tak\u00fd ten dedinsk\u00fd nehluk (ned\u00e1 sa to definova\u0165 ako \u00fapln\u00e9 ticho). A aj \u010das plynul akosi inak. Mali sme ho len pre seba a mohli sme ho svojvo\u013ene oh\u00fdba\u0165. To, \u017ee sme sa mohli tot\u00e1lne koncentrova\u0165 na tvorbu, bolo pre n\u00e1s z\u00e1sadn\u00e9.<br \/>\n<strong>MD:<\/strong> Tento reziden\u010dn\u00fd pobyt bol pre n\u00e1s mimoriadne pr\u00ednosn\u00fd, a\u00a0to nie len preto, \u017ee sa n\u00e1m podarilo vytvori\u0165 do novej inscen\u00e1cie 35 min\u00fat pou\u017eite\u013en\u00e9ho materi\u00e1lu, s\u00a0\u010d\u00edm sme v\u00f4bec ner\u00e1tali. U\u017e pr\u00edchodom do B\u00e1toviec sa n\u00e1m pre\u010distila hlava po viacer\u00fdch absolvovan\u00fdch festivaloch. Hne\u010f prv\u00fd de\u0148 sme ,,prekopali&#8221; n\u00e1met, ktor\u00fd sme chceli p\u00f4vodne rie\u0161i\u0165. Od r\u00e1na do noci sme sa mohli neru\u0161ene venova\u0165 tvorbe (\u010do sa n\u00e1m be\u017ene nest\u00e1va \u2013 v\u00e4\u010d\u0161inou sk\u00fa\u0161ame v\u00a0Bystrici v\u00a0poobedn\u00fdch a\u00a0ve\u010dern\u00fdch hodin\u00e1ch, ke\u010f\u017ee m\u00e1me s\u00a0Monikou in\u00e9 pr\u00e1ce, ktor\u00e9 n\u00e1s \u017eivia). Medzit\u00fdm sme si navarili nejak\u00fd dobr\u00fd \u013eahk\u00fd obed, ka\u017ed\u00fd de\u0148 sme sa pre\u0161li po dedinke s\u00a0nanukom v\u00a0ruke, ke\u010f\u017ee sme vychytali riadne hor\u00fa\u010davy a\u00a0ve\u010der sme v\u00a0B\u00e1tovciach chodili k\u00a0rieke (k potoku Sikelnica, pozn. redakcie) a\u00a0trhali vysok\u00e9 rastliny, ktor\u00e9 sme zas\u00e1drovali a\u00a0pou\u017e\u00edvame ich v\u00a0novej inscen\u00e1cii. Jeden de\u0148 sme si dali vo\u013enej\u0161\u00ed &#8211; boli sme sa k\u00fapa\u0165 v\u00a0Santovke, stihli sme aj jarmok v\u00a0Punkaci a potom sme sk\u00fa\u0161ali v\u00a0noci, to bola dobr\u00e1 sk\u00fa\u0161ka, prich\u00e1dzali nov\u00e9 n\u00e1pady.\u00a0A\u00a0v\u00a0neposlednom rade, v\u00a0B\u00e1tovciach sa mi skvelo spalo.<br \/>\nM\u00e1m pocit, \u017ee reziden\u010dn\u00fd pobyt sa pre n\u00e1s st\u00e1va nevyhnutn\u00fdm za\u010diatkom tvoriv\u00e9ho procesu.<\/p>\n<p><strong>Va\u0161a nov\u00e1 inscen\u00e1cia vych\u00e1dza zo sk\u00famania t\u00e9my paranoidnej schizofr\u00e9nie. Ako uv\u00e1dzate v\u00a0kr\u00e1tkej noticke pre div\u00e1ka, t\u00e9ma je pre V\u00e1s bytostn\u00e1, preto\u017ee toto ochorenie pozn\u00e1te z\u00a0prostredia najbli\u017e\u0161ej rodiny. Ak\u00fa nov\u00fa sk\u00fasenos\u0165 ste z\u00edskali pri v\u00fdskume t\u00e9my? Bola pr\u00e1ca na tejto inscen\u00e1cii viac n\u00e1ro\u010dn\u00e1 ako na predo\u0161l\u00fdch?<br \/>\nMK:<\/strong>\u00a0Po\u010das prvej f\u00e1zy sme sa sna\u017eili sk\u00fama\u0165 klinick\u00e9 prejavy paranoidnej schizofr\u00e9nie a vytvori\u0165 ak\u00fdsi asocia\u010dn\u00fd beh, ktor\u00fd odr\u00e1\u017eal stopy v pam\u00e4ti, stopy v tele. Vo\u013ene sme sa nechali in\u0161pirova\u0165 v\u0161etk\u00fdm, \u010do sme si pre\u010d\u00edtali a za\u017eili. Je d\u00f4le\u017eit\u00e9 poznamena\u0165, \u017ee aj ke\u010f sa n\u00e1s t\u00e1to t\u00e9ma dot\u00fdka, ne\u0161lo n\u00e1m o arteterapiu.<br \/>\nAk by som sa tejto t\u00e9me venovala s cudz\u00edm \u010dlovekom, m\u00f4\u017eno by bola pr\u00e1ca n\u00e1ro\u010dnej\u0161ia, ale Majke plne d\u00f4verujem a z\u00e1rove\u0148 sme na seba napojen\u00e9, tak to ide pomerne \u013eahko a nepotrebujeme pou\u017e\u00edva\u0165 to\u013eko slov a vysvet\u013eovan\u00ed.<br \/>\n<strong>MD:<\/strong> T\u00e1to t\u00e9ma sa n\u00e1m vyprofilovala a\u017e v\u00a0B\u00e1tovciach. Otvorili sme Pandorinu skrinku, ale\u00a0hne\u010f sme si s\u00a0Monikou povedali, \u017ee nechceme, aby i\u0161lo o\u00a0ak\u00fako\u013evek formu arteterapie. A\u00a0aj ke\u010f sme v\u00fdrazne citovo zaanga\u017eovan\u00e9, sna\u017e\u00edme sa k\u00a0celej t\u00e9me pristupova\u0165 viac racion\u00e1lne a\u00a0pracova\u0165 s\u00a0na\u0161imi sk\u00fasenos\u0165ami a\u00a0spomienkami ako materi\u00e1lom na vznik nie\u010doho nov\u00e9ho. Sam\u00e9 sme zvedav\u00e9, kam n\u00e1s cel\u00fd v\u00fdskum a\u00a0tvorba zavedie. V\u00a0B\u00e1tovciach sme sk\u00famali najm\u00e4 fyzick\u00e9 prejavy tohto du\u0161evn\u00e9ho ochorenia. Vznikol n\u00e1m tvar, ktor\u00fd sme si pomenovali ako \u201easocia\u010dn\u00fd beh\u201c , nezaznieva v\u00a0\u0148om ani jedno slovo a kon\u010d\u00ed katatonickou polohou, a\u017e do \u00fapln\u00e9ho fyzick\u00e9ho vy\u010derpania. Moje telo dostalo v\u00a0B\u00e1tovciach riadne zabra\u0165. Opros\u0165ujeme sa toti\u017e vedome od psychologiz\u00e1cie a\u00a0h\u013ead\u00e1me in\u00e9 formy prejavu \u2013 najm\u00e4 cez fyzi\u010dno, cez pr\u00e1cu s\u00a0tie\u0148mi, objektami a\u00a0\u017eivou hudbou.<\/p>\n<p><strong>Obe pracujete aj pre Slovensk\u00fd rozhlas, pripravujete r\u00f4zne rel\u00e1cie, stret\u00e1vate sa s\u00a0mnoh\u00fdmi zauj\u00edmav\u00fdmi \u013eu\u010fmi. Ako V\u00e1s tieto stretnutia ovplyv\u0148uj\u00fa v\u00a0tvorbe i\u00a0v\u00a0\u017eivote?<br \/>\nMK:\u00a0<\/strong>Ja pracujem pre rozhlas len externe &#8211; jednak ako redaktorka pre R\u00e1dio Dev\u00edn a jednak spolo\u010dne s Majkou ob\u010das vytvor\u00edme f\u00ed\u010der pre R\u00e1dio Regina. Najm\u00e4 f\u00ed\u010dre s\u00fa zauj\u00edmav\u00e9, preto\u017ee ide o hodinov\u00fa rel\u00e1ciu. M\u00e1me teda mo\u017enos\u0165 \u00faplne sa ponori\u0165 do t\u00e9my a stret\u00e1vame sa s mno\u017estvom podnetn\u00fdch \u013eud\u00ed, ktor\u00ed vo svojom odbore nie\u010do dok\u00e1zali alebo nie\u010do zmenili. To je ve\u013emi motivuj\u00face.<br \/>\nOkrem toho p\u00f4sob\u00edm ako re\u017eis\u00e9rka, produk\u010dn\u00e1, lekotorka dej\u00edn divadla, PR, tak\u017ee ka\u017ed\u00fd de\u0148 tvor\u00edm in\u00fdm sp\u00f4sobom a nem\u00e1m \u0161ancu s\u0165a\u017eova\u0165 sa na stereotypn\u00fa pr\u00e1cu. Ale to najz\u00e1sadnej\u0161ie je, \u017ee v\u0161etky pr\u00e1ce ma u\u010dia po\u010d\u00fava\u0165 &#8211; skuto\u010dne po\u010d\u00fava\u0165, nie len tak na pol ucha &#8211; a by\u0165 neust\u00e1le vn\u00edmavou, pr\u00edtomnou, zorientovanou a schopnou h\u013eada\u0165 rie\u0161enia. A o tom je pre m\u0148a vlastne aj pr\u00e1ca v divadelnej sf\u00e9re.<strong><br \/>\nMD:<\/strong> \u00c1no, v\u010faka pr\u00e1ci v\u00a0rozhlase m\u00e1m ako tak\u00fd preh\u013ead v\u00a0literat\u00fare, preto\u017ee pravidelne pripravujem r\u00f4zne \u010d\u00edtania a rel\u00e1cie o\u00a0pozoruhodn\u00fdch knih\u00e1ch. Stret\u00e1vam sa teda najm\u00e4 so spisovate\u013emi, prekladate\u013emi a\u00a0vydavate\u013emi, v\u00a0r\u00e1mci kult\u00farnej publicistiky aj so zauj\u00edmav\u00fdmi\u00a0\u013eu\u010fmi z\u00a0\u010fal\u0161\u00edch prostred\u00ed. Je to in\u0161piruj\u00face a obohacuj\u00face zhovara\u0165 sa s\u00a0akt\u00edvnymi a\u00a0\u0161ikovn\u00fdmi \u013eu\u010fmi v\u00a0oblasti kult\u00fary. D\u00e1va mi to n\u00e1dej a\u00a0nov\u00e9 poznatky, ku ktor\u00fdm by som sa inak asi \u0165a\u017eko dostala. A\u00a0\u010dasto mi tieto rozhovory otv\u00e1raj\u00fa o\u010di a\u00a0pon\u00fakaj\u00fa nov\u00e9 uhly poh\u013eadu na dan\u00fa problematiku.<br \/>\nS\u00a0Monikou pracujeme na f\u00ed\u010droch (dokument\u00e1rno-umeleck\u00fdch p\u00e1smach), kde si vyber\u00e1me t\u00e9my, ktor\u00e9 n\u00e1s fascinuj\u00fa (napr. Listy Je\u017ei\u0161kovi, Knihy vs. e-knihy&#8230;). Moment\u00e1lne pracujeme na t\u00e9me: Kni\u017en\u00fd dizajn v\u00a0s\u00fa\u010dasnej slovenskej beletrii.<br \/>\nMysl\u00edm, \u017ee sa s\u00a0Monikou dobre dop\u013a\u0148ame nech spolu pracujeme na \u010domko\u013evek. Ja som tak\u00fd dynamyckej\u0161\u00ed typ, ale niekedy zbyto\u010dne na veci tla\u010d\u00edm a\u00a0Monika vie da\u0165 zasa veciam priestor a \u010das nech sa vyvin\u00fa sam\u00e9. Som rada, \u017ee ju m\u00e1m nabl\u00edzku, \u010di u\u017e v\u00a0pr\u00e1ci alebo mimo nej.<\/p>\n<p><strong>Zhov\u00e1rala sa Iveta Ditte Jur\u010dov\u00e1<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"entry-summary\">\nPr\u00edchodom do B\u00e1toviec sa n\u00e1m pre\u010distili hlavy Na jednom z reziden\u010dn\u00fdch pobytov po\u010das j\u00fala v Divadle P\u00f4to\u0148 pracovalo umeleck\u00e9 zoskupenie&hellip;\n<\/div>\n<div class=\"link-more\"><a href=\"https:\/\/www.odivo.sk\/en\/rozhovor-pre-culture-attack-07-2016\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &ldquo;Rozhovor pre Culture Attack 07-2016&rdquo;<\/span>&hellip;<\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"acf":[],"_links":{"self":[{"href":"https:\/\/www.odivo.sk\/en\/wp-json\/wp\/v2\/pages\/168"}],"collection":[{"href":"https:\/\/www.odivo.sk\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.odivo.sk\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.odivo.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.odivo.sk\/en\/wp-json\/wp\/v2\/comments?post=168"}],"version-history":[{"count":7,"href":"https:\/\/www.odivo.sk\/en\/wp-json\/wp\/v2\/pages\/168\/revisions"}],"predecessor-version":[{"id":208,"href":"https:\/\/www.odivo.sk\/en\/wp-json\/wp\/v2\/pages\/168\/revisions\/208"}],"wp:attachment":[{"href":"https:\/\/www.odivo.sk\/en\/wp-json\/wp\/v2\/media?parent=168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}