{"id":26,"date":"2016-10-08T19:08:35","date_gmt":"2016-10-08T17:08:35","guid":{"rendered":"http:\/\/momo.theatersubtitles.com\/?page_id=26"},"modified":"2023-01-17T15:29:10","modified_gmt":"2023-01-17T14:29:10","slug":"ohlasy","status":"publish","type":"page","link":"https:\/\/www.odivo.sk\/en\/ohlasy\/","title":{"rendered":"Reactions"},"content":{"rendered":"

(…) Niet divu, \u017ee jedno chlap\u010da e\u0161te po\u010das predstavenia neodol\u00e1 a mus\u00ed si to cel\u00e9 \u00eds\u0165 pozrie\u0165 zbl\u00edzka. Divo\u010diny pod\u013ea Maurica Sendaka pri\u0165ahuj\u00fa predov\u0161etk\u00fdm oko, hoci sc\u00e9na \u2013 dreven\u00e1 bed\u0148a s mo\u017enos\u0165ou vykl\u00e1pania jednotliv\u00fdch pl\u00f4ch \u2013 je predov\u0161etk\u00fdm funk\u010dn\u00fdm prvkom, v\u010faka ktor\u00e9mu sa d\u00e1 za p\u00e1r sek\u00fand zv\u00e4\u010d\u0161i\u0165 \u010di zmen\u0161i\u0165, obr\u00e1ti\u0165 a inak obmeni\u0165 dejisko pre dobrodru\u017estv\u00e1 mal\u00e9ho Maxa. Najv\u00e4\u010d\u0161ou vizu\u00e1lnou lah\u00f4dkou s\u00fa v\u0161ak b\u00e1bky \u2013 zvierat\u00e1 vyroben\u00e9 z kon\u00e1rov a kusov neopracovan\u00e9ho dreva v kombin\u00e1cii so s\u00fa\u010diastkami star\u00fdch bicyklov (napr. ped\u00e1le ako vt\u00e1\u010die nohy). S t\u00fdmito a\u017e steampunkov\u00fdmi obludkami nar\u00e1baj\u00fa dvaja herci \u2013 Maja Danadov\u00e1 a Filip Hajduk, ktor\u00ed v\u0161ak ani n\u00e1hodou nie s\u00fa len \u201evodi\u010dmi\u201c, naopak, div\u00e1ckym z\u00e1\u017eitkom je aj sledova\u0165 mimick\u00fd a v\u00fdrazov\u00fd koncert tejto dvojice, ich dotv\u00e1ranie deja vlastn\u00fdmi reakciami, vyd\u00e1van\u00edm zvukov \u010di \u017eongl\u00e9rskymi trikmi. A predstaveniu \u2013 rovnako ako pri predo\u0161lej produkcii Odiva \u2013 nech\u00fdba ani skvel\u00e1 \u017eiv\u00e1 hudba, ktor\u00e1 ani tentokr\u00e1t nie je iba kulisou, ale priamo d\u00e1va impulz pre dianie na javisku a reaguje na\u0148, vytv\u00e1ra konkr\u00e9tnu atmosf\u00e9ru a funguje ako hereck\u00fd partner. Pr\u00e1ve v\u010faka hudbe ani ru\u0161iv\u00e9 zvuky z okolia (predstavenie sa hralo vonku, pod nadjazdom, na ktorom fungovala be\u017en\u00e1 prem\u00e1vka) neboli nato\u013eko ru\u0161iv\u00e9.
\nDivo\u010diny: Martina Ma\u0161l\u00e1rov\u00e1, www.mloki.sk (viden\u00e9 na festivale Kiosk 2016). Cel\u00fd \u010dl\u00e1nok n\u00e1jdete TU<\/a>.<\/strong><\/p>\n

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“… emotions, desires, phantoms might be mentioned in case of “Love P and Passion B” based on “The Love of Don Perlimplin and Belisa in the Garden\u201d by F. G. Lorca.\u2028With tremendous temperament, energy and poetics, M\u00e1ria Danadov\u00e1, young actress of Odivo theatre (Bansk\u00e1 Bystrica) tells story of shy Perlimplin, unexperienced in the matters of love, his passionate wife Belisa and loving Marcolfa, devoted to her master. Nothing is how it seems to be, only one thing is sure. The actress built destiny of three main characters brilliantly: she incarnated the dramatis personae, commented the collisions, animated the original puppets made from wood and textile and vivified the objects. By doing all these, she turned small theatre room into Perlimplin’s garden overflowed by passion. (…) Rythms and tempers change, just as images filled with emotions proved unquestionable quality of the performance.”
\n\u2028Love P and Passion B: Katarzyna Grajewska, Teatr lalek, Poland <\/strong><\/p>\n

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,,On stage we see the actress and the musician (sitting in the background, underlining the staccatos of the erotic and Dadaist songs of M\u00e1ria with his guitar sequences), a man and a woman, and three puppets on a rustic wooden wagon. M\u00e1ria, who is moving all the puppets, plays a complicated role in the play, because she is the \u201eumbrella person\u201d beyond the puppets: her voice is the voice of their souls; she is the observer, the singer, and the burlesque lady in one person. (…) \u2028The duendes were coming. The microphone turned into a big black phallus. Songs turned into true prayer. The many shoes symbolized the paramours, whose faces and bodies were unseen. Orgasms and voodoo practices bolted. Little feathers flied. Love was the theme, and an erotic prayer\u2028was the only possible answer for the questions. \u2028It was a tale about doing things in danger, because loving something or somebody is dangerous. Because our real motifs, feelings and thoughts are often a mystery even for ourselves. We are dancers in the dark. And when the play was over, and M\u00e1ria was laying in front of us, in silence, on the puppets\u2019 little bed, we understood: this play was about her. And about the art of understanding our real, true feelings. Just like Don Perlimpl\u00edn did.”
\nLove P and Passion B: Laura Marx – K\u00d6M by L1 Association. Whole article is\u00a0HERE<\/a>.<\/strong><\/p>\n

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Interview with Monika Kov\u00e1\u010dov\u00e1<\/strong>\u00a0about performance Love P and Passion B you will find HERE<\/a><\/strong>.<\/p>\n

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Actress M\u00e1ria Danadov\u00e1 sees the destiny of the puppets, she is animating with distance and irony, and with humor also the music in the performance is built \u2013 the musician follows the actions and the very atmosphere of some scenes with various sounds live on the stage, thanks to this the actions are given new, comical meaning (e.g. Belisa being chased by servant Marcolfa). Musicality or rather rhythmicity is significant feature of the performance, from dynamic beginning with the actress introducing the story characters in lively tempo, to slow ending with the passion having been gone away in the tones dying away in quiet, as well. \u2028The creative team of the performance stressed the fact that everyone perceives his\/her own subjective reality by collision of dream world with often very different reality, and confrontation between various views on the same incident.\u2028The artists use the love story as background for depicting the negative consequences that might happen, when one lives in his\/her “very own world” and loses the contact with the closest ones.
\nLove P and Passion B:\u00a0<\/strong>Barbora Forkovi\u010dov\u00e1, www.mloki.sk<\/strong><\/p>\n

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Great performance, I consider it the best performance, which I could see on festival B\u00e1bkov\u00e1 \u017dilina (Puppet \u017dilina, Slovakia). Perfect balance of all components, excellent actress performance, sensitively and carefully worked-out every detail. The theatre of the thirth millennium. Great experience for very long. Simply great love and passion.
\nLove P and Passion B:\u00a0<\/strong>Eva \u010c\u00e1rska, Slovakia (seen on festival B\u00e1bkov\u00e1 \u017dilina 2015) <\/strong><\/p>\n

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The performance brings untraditional compositional comprehension of the classic title, it denies conventional percepcion of puppet theatre and its protogenetic descriptive ability, which this performance moves to another level – to the relationship between performer and puppet, to partner harmony between live actress and non-living material, to building of self-dependent theatre reality, which borrows from everydayness, poetic stylization, popculture gestic shortcut and rhetoric.
\nLove P and Passion B:\u00a0<\/strong>Eva Kyselov\u00e1 (Hot hot puppet!, Loutk\u00e1\u0159 3\/2015) <\/strong><\/p>\n

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Performance Love P and Passion B from ensemble Odivo was based on the play by Federico Garcia Lorca, which is amazing pithy chord of passion, poetry and music. And the performance, which is performed by one spirited actress with three puppets and one musician, is exactly like that play.
\nLove P and Passion B:\u00a0<\/strong>Jana Pithartov\u00e1<\/strong><\/p>\n

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Lyricky, vtipne a pikantne: to je sp\u00f4sob, ak\u00fdm divadlo Odivo predstav\u00ed milostn\u00fd trojuholn\u00edk v predstaven\u00ed L\u00e1ska P a v\u00e1\u0161e\u0148 B. Dokonale skomponovan\u00e9 a bezchybne zahran\u00e9 predstavenie, je popis zru\u010dnosti jednej here\u010dky – M\u00e1rie Danadovej a jedn\u00e9ho hudobn\u00edka – Mateja \u0160teska. (\u2026)
\nL\u00e1ska P\u00a0 v\u00e1\u0161e\u0148 B je p\u00fatav\u00e9 predstavenie pokia\u013e ide o tajomstvo a viac\u00farov\u0148ov\u00e9 rozpr\u00e1vanie, predstavuje udalos\u0165 z mu\u017esk\u00e9ho a \u017eensk\u00e9ho uhla poh\u013eadu s origin\u00e1lnym v\u00fdberom v\u00fdrazov\u00fdch prostriedkov. Hra estetickou efektivitou garantuje div\u00e1kovi inteligentn\u00fa z\u00e1bavu zalo\u017een\u00fa na\u00a0pikantnom, ale nie vulg\u00e1rnom humore. Tvorcovia preuk\u00e1zali, \u017ee o z\u00e1le\u017eitostiach l\u00e1sky a sexu sa d\u00e1 kr\u00e1sne hovori\u0165 v b\u00e1bkovom divadle, serv\u00edruj\u00fac pritom publiku nieko\u013eko desiatok min\u00fat skuto\u010dn\u00e9ho p\u00f4\u017eitku.
\nL\u00e1ska P a v\u00e1\u0161e\u0148 B: Karolina Augustyniak, text p\u00edsan\u00fd do “Dziennika Teatralnego”: www.dziennikteatralny.pl. Cel\u00fd \u010dl\u00e1nok n\u00e1jdete TU<\/a>.<\/strong><\/p>\n

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Nejv\u011bt\u0161\u00ed \u010d\u00e1st p\u0159edstavn\u00ed odehraje here\u010dka M\u00e1ria Danadov\u00e1 se t\u0159emi kr\u00e1sn\u00fdmi d\u0159ev\u011bn\u00fdmi loutkami, kter\u00e9 vytvo\u0159il Mikol\u00e1\u0161 Zika. Samorostl\u00fd Dom Perlimplin, \u0161t\u00edhl\u00e1 Belisa a bachrat\u00e1 Marcolfa maj\u00ed velmi sv\u00e9bytnou podobou, kter\u00e1 p\u0159esn\u011b vystihuje jejich charaktery. M\u00e1ria Danadov\u00e1 je animuje s technickou bravurou a vtipem, a je a\u017e neuv\u011b\u0159iteln\u00e9, jak p\u0159esn\u011b je slad\u011bn\u00e1 s Martinem \u017diakem, kter\u00fd ji na elektrickou kytaru \u017eiv\u011b doprov\u00e1z\u00ed. D\u00edky tomu p\u016fsob\u00ed jejich souhra dojmem p\u0159esn\u00e9 ,,choreografie\u201d a z\u00e1rove\u0148 hravosti. (\u2026) Nejv\u00fdrazn\u011bj\u0161\u00ed vklad ale do inscenace p\u0159in\u00e1\u0161\u00ed charismatick\u00e1 here\u010dka M\u00e1ria Danadov\u00e1. Krom\u011b perfektn\u00ed animace loutek pou\u017e\u00edv\u00e1 tak\u00e9 mnoho pohybov\u00fdch a tane\u010dn\u00fdch prvk\u016f a ty zvl\u00e1dla technicky v\u00fdborn\u011b. Nejd\u016fle\u017eit\u011bj\u0161\u00ed v\u0161ak je, \u017ee p\u0159\u00edb\u011bh Dona Perlimplina a Beliny pro ni nen\u00ed \u017e\u00e1dnou starou, neaktu\u00e1ln\u00ed b\u00e1chorkou, n\u00fdbr\u017e osobn\u00ed v\u00fdpov\u011bd\u00ed o vlastn\u00ed v\u00e1\u0161ni, l\u00e1sce, sexualit\u011b. Je to v\u00fdpov\u011b\u010f v\u00e1\u0161niv\u00e1, odv\u00e1\u017en\u00e1, ale nikoli vulg\u00e1rn\u00ed. D\u00edky tomu trag\u00e9die Dona Perlimpl\u00edna nem\u016f\u017ee nechat chladn\u00fdmi ani n\u00e1s, div\u00e1ky.
\nL\u00e1ska P a v\u00e1\u0161e\u0148 B: Kry\u0161tof Barto\u0161, Skupa’s Daily, 12. \u010dervna 2016. Cel\u00fd \u010dl\u00e1nok n\u00e1jdete TU<\/a>.<\/strong><\/p>\n

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The two tiny female Monika Kov\u00e1\u010dov\u00e1 (directress) and Maja Danadov\u00e1 (actress) created fragile theatre miracle of love, passion, death and paradoxes of life. Authentic acting, beautiful and functional set design, great music. Theatre of the senses and of the reason.
\nLove P a Passion B: Veronika Gab\u010d\u00edkov\u00e1, festival Vlnoplocha<\/strong><\/p>","protected":false},"excerpt":{"rendered":"

\n(…) Niet divu, \u017ee jedno chlap\u010da e\u0161te po\u010das predstavenia neodol\u00e1 a mus\u00ed si to cel\u00e9 \u00eds\u0165 pozrie\u0165 zbl\u00edzka. Divo\u010diny pod\u013ea…\n<\/div>\n
Continue reading “Reactions”<\/span>…<\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"acf":[],"_links":{"self":[{"href":"https:\/\/www.odivo.sk\/en\/wp-json\/wp\/v2\/pages\/26"}],"collection":[{"href":"https:\/\/www.odivo.sk\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.odivo.sk\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.odivo.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.odivo.sk\/en\/wp-json\/wp\/v2\/comments?post=26"}],"version-history":[{"count":65,"href":"https:\/\/www.odivo.sk\/en\/wp-json\/wp\/v2\/pages\/26\/revisions"}],"predecessor-version":[{"id":1130,"href":"https:\/\/www.odivo.sk\/en\/wp-json\/wp\/v2\/pages\/26\/revisions\/1130"}],"wp:attachment":[{"href":"https:\/\/www.odivo.sk\/en\/wp-json\/wp\/v2\/media?parent=26"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}